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Understanding Four Main Plot Structures in Storytelling

July 2nd, 2024

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Summary

  • Introduction to plot structures and their importance
  • Focus on Freytag’s Pyramid, The Fichtean Curve, The Hero’s Journey, In Media Res
  • Freytag’s Pyramid: Greek and Shakespearian origins, used in children’s books
  • The Fichtean Curve: Modern novels, maintains interest with multiple crises
  • The Hero’s Journey: Character transformation, common in Western literature
  • In Media Res: Starts in the middle, effective for crime and mystery plots

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Plot structures form the backbone of storytelling, serving as the framework that guides the narrative and shapes the reader’s journey through the story. Understanding plot structures is crucial for any writer, as it helps in organizing events, developing characters, and maintaining the reader's interest. There are countless plot structures available, each catering to different genres and styles of storytelling. However, four main plot structures stand out for their historical significance and versatility: Freytag’s Pyramid, The Fichtean Curve, The Hero’s Journey, and In Media Res. Freytag’s Pyramid, also known as dramatic structure, is one of the oldest and simplest plot structures. It is particularly useful for analyzing Greek and Shakespearian plays, which often follow a five-act structure. In Freytag’s Pyramid, the climax occurs in the middle of the story, followed by falling action and resolution. This structure allows authors to explore the consequences of actions, making it effective for children's books and short stories, where the goal is often to teach a lesson. However, it is less suitable for modern novels due to its lengthy resolutions, which can become tedious. The Fichtean Curve is prevalent in contemporary literature and is characterized by multiple crises or mini-climaxes that build up to a major climax about two-thirds into the story. This structure keeps readers engaged through continuous action and is adaptable to various genres. It is ideal for action-packed stories and quest narratives but can be overwhelming if overused. Unlike Freytag’s Pyramid, the falling action in the Fichtean Curve is brief, focusing on wrapping up loose ends and establishing a new equilibrium for the characters. The Hero’s Journey is another widely recognized plot structure, especially in Western literature. It centers on the protagonist’s transformation through a figurative or literal death, which serves as a pivotal point in the story. This structure is effective for first-person narratives and stories with small casts, as it allows for deep character development. Despite its popularity, the Hero’s Journey can feel clichéd if not executed with a unique twist. It is commonly used in voyage and return plots or rebirth stories, where the protagonist must atone for their past. In Media Res, meaning "in the middle of things" in Latin, is a plot structure that starts the story in the midst of action. This approach is particularly effective in hooking readers from the beginning and is frequently used in crime and mystery plots. However, it requires careful handling to ensure that the backstory is seamlessly integrated as the plot progresses. Starting in the middle of the action can be disorienting for readers, but when done correctly, it creates an immediate sense of intrigue and momentum. While these four plot structures each have their unique characteristics and applications, they are not mutually exclusive. Writers often combine and adapt these structures to fit their specific narrative needs, thereby creating a dynamic and engaging story. Understanding the strengths and limitations of each plot structure enables writers to choose the most appropriate framework for their story, ensuring that it resonates with their audience. Freytag’s Pyramid, also known as dramatic structure, traces its origins back to ancient Greek and Shakespearian plays. Developed by the German writer Gustav Freytag, this plot structure is designed to analyze five-act plays. The pyramid consists of five parts: exposition, rising action, climax, falling action, and denouement. The climax, situated in the middle, is the turning point of the story, followed by a series of events that lead to the resolution. This structure allows for a thorough exploration of the consequences of the protagonist’s actions. In children’s books and short stories, Freytag’s Pyramid proves particularly effective. The structure’s clear delineation of events helps convey moral lessons, making it easier for young readers to grasp the consequences of certain behaviors. For example, Shakespeare’s plays often follow this structure, with a central climax followed by a resolution that ties up the narrative threads. However, the structure’s long denouement can be a drawback for modern novels, where readers may find extended resolutions tedious and disengaging. The Fichtean Curve, on the other hand, is a plot structure predominantly used in modern literature. Unlike Freytag’s Pyramid, the Fichtean Curve does not follow a linear progression. Instead, it features multiple crises or mini-climaxes throughout the rising action, culminating in a major climax approximately two-thirds into the story. This technique maintains reader interest by providing continuous action and development, ensuring that the narrative pace remains engaging. The Fichtean Curve is particularly effective for action-packed stories and quest plots. For example, Erin Morgenstern’s "Night Circus" utilizes this structure, with its series of escalating conflicts and dramatic moments that keep readers hooked. However, the constant action can be overwhelming if not balanced with quieter moments. Additionally, this structure may not suit certain story types, such as Voyage and Return or Rebirth plots, which require a different pacing and focus. The Hero’s Journey, a plot structure popularized by Joseph Campbell, is another prevalent narrative framework, especially in Western literature. This structure revolves around the protagonist’s transformative journey, often involving a figurative or literal death and rebirth. The Hero’s Journey typically includes stages such as the call to adventure, crossing the threshold, trials and tribulations, the climax or ordeal, and the return with newfound wisdom. This structure excels in character-driven stories, allowing for profound character development. Harper Lee’s "To Kill a Mockingbird" exemplifies the Hero’s Journey, with Scout Finch undergoing significant personal growth as she confronts societal injustices. While the Hero’s Journey is widely used, it can feel overdone if not approached with originality. Combining it with elements of the Fichtean Curve can add complexity and freshness to the narrative. In Media Res, meaning "in the middle of things," is a plot structure that begins the story amidst the action. This technique immediately immerses readers in the narrative, creating an instant hook. Stories that start In Media Res require skillful integration of backstory and context as the plot unfolds, ensuring that readers are not disoriented. This structure is particularly effective in crime and mystery plots, where starting with a high-stakes situation grabs the reader’s attention. Homer’s "The Iliad" is a classic example, beginning in the midst of the Trojan War and gradually revealing the events that led to the conflict. While starting with action can be engaging, it requires careful pacing and backstory integration to maintain coherence and reader engagement. Each of these plot structures—Freytag’s Pyramid, The Fichtean Curve, The Hero’s Journey, and In Media Res—offers unique advantages and challenges. Writers often blend elements from multiple structures to create a narrative that is both compelling and original. Understanding these frameworks allows writers to craft stories that resonate with their audience, regardless of genre or style.